Joe Lovano & Dave Douglas Sound Prints
Scandal
Greenleaf Music / 2018
Track Details:
1. Dream State (Douglas)
2. Full Sun (Lovano)
3. Fee Fi Fo Fum (Shorter, arr. Douglas)
4. Ups and Downs (Douglas)
5. The Corner Tavern (Lovano)
6. Scandal (Douglas)
7. Juju (Shorter, arr. Lovano)
8. Mission Creep (Douglas)
9. Full Moon (Lovano)
10. High Noon (Lovano)
11. Libra (Douglas)
Joe Lovano, tenor and G mezzo soprano saxophones
Dave Douglas, trumpet
Lawrence Fields, piano
Linda May Han Oh, bass
Joey Baron, drums
Production Credits:
Produced by Joe Lovano & Dave Douglas
Executive Producer: Dave Douglas
Recorded by Tyler McDiarmid at Bunker Studios, Brooklyn, NY on September 4, 2017
Assisted by Todd Carder
Mixed and Mastered by Tyler McDiarmid
Cover photo by Austin Nelson
Musician photos by Merrick Winter
Design by Lukas Frei
Grammy-winning saxophonist and composer Joe Lovano and two-time Grammy nominated trumpeter Dave Douglas are current masters on their respective instruments within the pantheon of modern jazz. They have shown that their distinct and robust voices can lead, blend and push the idiom forward both in composition and improvisation, while embracing the front-line masters of previous generations. Once co-leaders of the renowned SFJAZZ Collective, the group paid tribute to living icon Wayne Shorter by showcasing arrangements of Shorter originals alongside newly composed pieces influenced by Shorter’s compositional voice. The experience was a catalyst that lead the two instrumentalists to conceive the Joe Lovano & Dave Douglas Quintet, Sound Prints; an all-star ensemble including up and coming pianist Lawrence Fields, bassist Linda May Han Oh, and drummer Joey Baron. The group’s latest album, Scandal, reveals them to be passionately adventurous band for whom no territory is off-limits. DownBeat praises Scandal for its ‘multiple layers of bright melody’ and ‘dymanic group interplay.’ Lovano says, ‘Sound Prints is a free-flowing, joyous expression of music in the social environment we live in today. We dare to improvise and create music within the music – in a democratic way each piece comes to life on its own.’